A good article from the NY Times about alternative art spaces by Roberta Smith: Who Needs a White Cube These Days?
"In a small storefront on Grand Street, overseen by Emily Sundblad, a Norwegian artist, and John Kelsey, an American critic, the operation [Reena Spaulings] has provided an adamant reminder that a gallery is a social organism - even a kind of family - that combines aspects of living room and studio."
"At Orchard everything is hashed out by the collective's 11 members, which also tends to expose the secret emotional life of galleries, where ambition, idealism and vulnerability intersect and conflict."
"It is difficult to be a full-service gallery and maintain a high degree of deviation for long. Friedrich Petzel, who took over the Printed Matter space next to his gallery on West 22nd Street, spoke in September of using it without benefit of a white-box redo or a set schedule. But by December, both were nearly in place, Mr. Petzel said, largely because of pressure from his artists. "
"But even the folks at Reena Spaulings admit that their artists want big careers and that they were impressed by the activities of deliberate, rather than accidental art dealers while participating in the Liste art fair in Basel, Switzerland, last spring."